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Must-Visit Roman Amphitheatres Beyond the Colosseum

El Djem Amphitheatre in Tunisia
Complete Colosseum arena tour experience including Palatine Hill and Roman Forum
Location iconRome, Italy

Colosseum Arena Tour with Palatine Hill & Roman Forum

Step into the Colosseum Arena Floor through the Gladiator’s Gate, experiencing ancient Rome as gladiators once did. This exclusive tour includes fast-track entry access to the Colosseum, Palatine Hill, and Roman Forum, guided by fluent experts.
Rating star icon4.98(1839)
Clock icon3 hrs
from79 €

You don’t have to come to Rome to visit a beautifully preserved Roman amphitheatre. Across the former territory of the Roman Empire — from Britain to North Africa, and Spain to Syria — more than 230 Roman amphitheatres still rise from city centres, deserts, and coastal hillsides: some remarkably intact, others significantly weathered by time.

Map of Roman Amphitheatres across the Roman Empire

Map of Roman Amphitheatres across the Roman Empire

These arenas once hosted gladiatorial combat, wild animal hunts, and — most alien to our modern sensibilities — public executions. Today, many are still places where crowds gather to watch more humane cultural spectacles, from opera performances under the stars to contemporary music festivals.

This article covers some of the most interesting Roman amphitheatres from across the Roman Empire, whether for the state of their preservation or the stories we have from them. If this list speaks to your inner history nerd, consider visiting Rome’s Colosseum with Carpe Diem Tours. Nothing beats seeing it with a guide who brings the place to life. 

➡️ Browse our Colosseum tours

Now, let’s go beyond Rome as we explore the remnants across its Empire.

Verona Arena (Italy)

The northern Italian city of Verona is better known for medieval stories than for its Roman history, not least because its most famous site is the so-called Balcony of Juliet, the ill-fated young lover immortalised in Shakespeare’s tragedy. But Verona is home to an amphitheatre that not just predates the Colosseum but outshines it in its remarkable state of preservation. 

Built during the reign of the emperor Tiberius around 30 AD, the Verona Arena is one of the earliest large amphitheatres of the Imperial era. Scholars estimate it could accommodate around 22,000 spectators, just a couple of thousand short of the Premier League’s Selhurst Park stadium in London.

Arena of Verona, Italy

Roman Amphitheatre of Verona, Italy

Verona’s amphitheatre is exceptionally well preserved in its core structure. While parts of the outer ring were damaged over the centuries, major restoration beginning in the 16th century helped secure its survival, and the Arena’s shape remains instantly legible: oval tiers, grand entrances, and sweeping stone seating that still feels engineered for drama.

And drama is exactly what you get. Since 1913, the Arena has hosted the world-famous Arena di Verona Opera Festival, which has hosted household names like Luciano Pavarotti and Maria Callas.

Pula Arena (Croatia)

Croatia’s Pula Arena is one of the largest and most impressive amphitheatres on the Adriatic Coast. Built early in the Roman Empire, between the reigns of Augustus and Nero (27 BC and 68 AD), it’s a monumental reminder that Roman architecture was designed not just to function, but to dominate the skyline.

Roman amphitheatre in Pula, Croatia

Roman amphitheatre in Pula, Croatia

In antiquity, the arena could hold up to around 23,000 spectators, but what makes it truly exceptional is its state of preservation. Pula still retains its full circuit of outer walls, something almost no other Roman amphitheatre — including the Colosseum — can claim. You can appreciate just by looking at them how effectively crowds could flow in and out during games.

After the Fall of the Western Roman Empire, the amphitheatre was repurposed as a fortification, a quarry, and even as a grazing ground for livestock. In recent times, it has undergone a resurgence, serving as the focus of the Pula Film Festival since 1954. 

➡️ Check out Sail Croatia for a stunning sailing adventure on the Croatian coast

Arena of Nîmes (France)

Built around 100 AD, the Arena of Nîmes is among the best preserved amphitheatres from the Roman world, with much of its exterior still standing tall, clean, and surprisingly “complete” for its age.

Roman amphitheatre in Nîmes, France

Roman amphitheatre in Nîmes, France

This is very much in keeping with other Roman remains in Nîmes. This city in southern France is sometimes referred to as the most Roman city outside Italy, as it is home not only to the arena but to the Maison Carrée (a former temple to Augustus’ heirs) and the Pont du Gard — a stunning, and highly innovative stretch of Roman aqueduct

Maison Carree in Nimes
Pont du Gard, just outside Nimes. Photo credit: Wolfgang Staudt

Pont du Gard, just outside Nimes. Photo credit: Wolfgang Staudt

➡️ Tour Rome’s Aqueduct Park with an Oxford Historian

The amphitheatre’s original capacity is typically cited in the 20,000–24,000 range, so just a little more than the Premier League team Burnley’s Turf Moor stadium. One reason it remains so intact is that it was never abandoned. Over time, the arena was adapted into a fortress and later used as a kind of enclosed settlement. Enclosing those within prevented the structure from being dismantled for building stone.

Nîmes’ arena still hosts events to this day, especially for the annual Festival of Nîmes.

Arles Amphitheatre (France)

Built just a decade after the Colosseum in 90 AD, during the reign of the emperor Domitian, the Arles Amphitheatre looks like a Roman arena with a medieval crown. This is no accident. Like the Colosseum in Rome, this amphitheatre was transformed into a fortified complex during the Middle Ages, with towers added around the rim (still visible today).

The Amphitheatre in Arles, France

The Roman Amphitheatre in Arles, France

During the Roman Empire, Arles could hold over 20,000 spectators, and like many arenas of the empire, it was a stage for spectacle: gladiators, hunts, and big public entertainment. Today, the amphitheatre is used for a series of public spectacles, including bullfighting during the Feria d’Arles.

El Djem Amphitheatre (Tunisia)

Few Roman amphitheatres can compare to the one in the Tunisian city of El Djem. Built around 238 AD, right at the beginning of what historians call the Crisis of the Third Century, this amphitheatre of the ancient settlement of Thysdrus is among the largest in the Roman world, with an estimated capacity of about 35,000 spectators.

El Djem Amphitheatre in Tunisia

El Djem Amphitheatre in Tunisia

It’s also one of the best preserved Roman stone ruins anywhere. One reason it’s so striking is its scale combined with isolation. Instead of being hemmed in by modern buildings, like Rome’s Colosseum or Verona’s Arena, El Djem rises from the landscape like a monolith hewn in stone.

Today, it’s a UNESCO World Heritage Site and an unforgettable stop for travellers who love Roman history with fewer crowds than Italy or France.

Carthage Amphitheatre (Tunisia)

Carthage’s amphitheatre isn’t the best preserved in terms of standing walls. However it may be one of the most haunting in terms of historical weight. We have surprisingly few authors from the ancient world who describe what went on inside a Roman amphitheatre in any detail. But one we do have, a late third-century Christian called Tertullian, writes about two sinister figures — Mercury and Dis Pater — who appeared on the arena sands as what I have termed the grim reapers of the Roman arena.

Carthage amphitheatre as it survives today

Carthage amphitheatre as it survives today

The amphitheatre in Carthage was built at the end of the 1st century or beginning of the 2nd century, and was in use by 133 – 139 AD. This marks almost 300 years since the Romans had sown salt into the earth around Carthage, once Rome’s great enemy, before colonizing the city and settling it with Romans. Academics believe it held perhaps 30,000 spectators before expansions in the 3rd century, making its capacity the same as the Premier League’s Molineux Stadium — home to my beloved Wolverhampton Wanderers. 

Today, the amphitheatre survives in a more fragmentary, archaeological form. But, like the entire archaeological site of Carthage, and others around Tunisia, it rewards travellers who like their ancient sites big, complex, and deeply tied to world history.

Budapest's Aquincum Amphitheatre (Hungary)

Ancient Rome wasn’t just marble temples and Mediterranean sunshine. It was also frontier towns, legions, and life along the empire’s edges. The Aquincum Military Amphitheatre in Budapest captures that side of the story perfectly.

Built around 145 AD, during the reign of the remarkably boring emperor Antoninus Pius (seriously, find me four interesting facts about him and this job is yours), this amphitheatre served a Roman military settlement on the Danube frontier. It had a capacity of roughly 10,000–13,000 spectators: smaller than the Mediterranean giants, but still a major venue for a provincial outpost.

Military Roman amphitheatre in Budapest, Hungary
Close-up of stonework of Aquincum Amphitheatre in Budapest

Military Roman amphitheatre in Budapest, Hungary

Close-up of stonework of Aquincum Amphitheatre in Budapest

Its remains show how Roman amphitheatres adapted to place: built for function and durability, with seating supported by surrounding earthworks rather than monumental stone walls alone.

Planning a trip to Budapest? Check out our top-rated Budapest Tours

And if all roads still lead to Rome… there’s no better way to experience the greatest amphitheatre on Earth than with a guide who helps you see beyond the ruins.

➡️ Want to do the Colosseum properly? Check out our Colosseum tours


Alexander Meddings Author Image
Alexander Meddings
Check iconVerified Writer
Alexander Meddings is a professional copywriter and postgraduate in Roman history from the University of Oxford. After graduating with his MPhil, he moved to Florence and then Rome to carry out his research on the ground and pursue his passion at the source. He now works in travel, as a writer and content consultant, and in education as a university lecturer and translator.
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