Scaffolding in the Sistine Chapel until March 2026

Officials monitor the state of the Last Judgement in the Sistine Chapel. Photo Credit: Vatican News

If you’re in Rome early this year and planning on visiting the Vatican, know that the Sistine Chapel is currently partially covered in scaffolding due to a major restoration project.

As of January 12th, 2026, Michelangelo’s Last Judgement has started undergoing preventative conservation works inside the Sistine Chapel. The plan is to have the works completed by Holy Week (March 29th). But since Italy is Italy, where deadlines are more like guidelines, you might want to factor in that these restorations might continue until April or May.  

For roughly three months (January through March 2026), scaffolding will cover the entire wall as expert restorers work just feet away from one of the world’s most famous artworks.

Will the Sistine Chapel still be open?

Yes, the Sistine Chapel will remain open during the conservation work. However, the experience will look and feel very different from what most travellers expect.

As Paolo Violini, the man leading the restoration project, told Vatican News, “During these three months there will be scaffolding across the entire wall, formed of a dozen floors and with a lift running between them. This should reduce the time our team of restorers need while not compromising the view for the general public. At any one time, we can have 10-12 people working on the fresco”.

In a nutshell, visitors should therefore expect:

  • Reduced visibility of the Last Judgement due to scaffolding coverage
  • A more restricted flow of movement, with tighter control over where guests can stand
  • A less immersive atmosphere, as work takes place nearby

Some of this has been the case for years. As the Sistine Chapel is a holy place, the Pope’s personal chapel, those inside must remain silent — including tour guides. This means that when taking a Vatican tour, your guide will explain the history and iconography of the Sistine Chapel before entering inside, leaving you to admire its artworks in peace and (relative) quiet. 

Why now?

A preventive check-up of the Sistine Chapel’s artworks are necessary — and long overdue. Decades of record-breaking tourism have taken their toll on delicate Renaissance masterpieces, with the last major restorations dating from the 1980s and 1990s. But carrying out conservation works during last year’s Jubilee would have been a poorly planned and, as circumstances would have it, inauspicious time to restore the Pope’s private chapel, especially given that it was required for the papal conclave following the passing of Pope Francis in April last year. 

Conservation can’t be postponed forever, and this work helps preserve Michelangelo’s art for future generations. But for travellers visiting Rome in early 2026, it’s understandable that many will feel disappointed arriving to find the masterpiece covered up.

Fortunately, the project is in good hands. Paolo Violini was also in charge of restoration works in the Vatican's Raphael Rooms, restoring the frescoes in the Room of the Segnatura in 2000 and Room of Heliodorus in 2012. 

Frescoes in the Room of the Segnatura in the Vatican Museums' Raphael Rooms

Frescoes in the Room of the Segnatura in the Vatican Museums' Raphael Rooms

Should you still visit the Vatican right now?

If this will be your only chance to see the Vatican Museums and Sistine Chapel, it should still be worth going. But if you’re planning a trip and have flexibility, you may want to save your Vatican visit until next time and focus on seeing other sites.

Best alternatives to a Vatican visit in early 2026

Rome is full of unforgettable experiences beyond the Vatican. If you’re adjusting your plans, consider replacing your Vatican visit with:

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Alexander Meddings
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Alexander Meddings is a professional copywriter and postgraduate in Roman history from the University of Oxford. After graduating with his MPhil, he moved to Florence and then Rome to carry out his research on the ground and pursue his passion at the source. He now works in travel, as a writer and content consultant, and in education as a university lecturer and translator.
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